Tag Archives: Puni Puni Poemii

Ktulu’s 6th Annual Awards & Shaming Ceremony

Welcome, Everyone, to this year’s rewards. Where we celebrate the best anime I’ve reviewed for the year and take shots at the worst. This year, we’ll be doing something a little different. At the end, after the individual rewards, I’ll be doing a list of the five best and worst overall. Now, as usual we’re covering everything from February 15th 2018 up to this week’s review of Hybrid Child.

We’ll move right into things with the best and worst of our bonus reviews. And no, we won’t be counting the bonus reviews for the top and bottom five. The list of potential candidates is: A Hard Day’s Night, Avengers: United They Stand, The Black Cauldron, Blake’s Seven Series One, C.O.P.S, D.E.B.S, Detroit: Become Human, The Hulk, Maximum Carnage, Pryde of the X-men, The Rescuers, Secret Six: Villains United, Silver Surfer, Star Trek: Next Gen/ X-men Second Contact, Stories of Ibis, The Thing

The Worst in Bonus:

It probably seems like this will be difficult since the lowest score I gave a Bonus review this year was a 3/10, and there were four things to get that score. However, it’s actually easy because there’s one thing that almost got lower and I still feel a “3” was a bit generous for. So, the worst of award goes to Detroit: Become Human. A terrible game with little game play and the worst toss in terms of writing, but it earned a merely bad score solely because its graphics are great.

The Best in Bonus:

This one was much tougher to decide. There were four 9/10 reviews this year and all of them have a lot to recommend them. We have thirteen issues of one of Gail Simone’s best comic runs, possibly John Carpenter’s best film, one of Disney’s best films & a brilliant collection of short stories with a cohesive narrative tying them together. Out of all those works, I ended up deciding to give it to Secret Six: Villains United.

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While any of those four could have gotten it, I think that’s the one that had the biggest burden in terms of making the audience care and something had to be the deciding factor.

And the anime reward candidates are: A-ko the Versus, Aggressive Retsuko, Ajin series 2, Aki no Kanade, Ayane-chan High Kick, Bio Hunter, Black Lagoon: Roberta’s Blood Trail, Boku no Hero Academia, Citrus, Cowboy Bebop, D-Frag, Dirty Pair Flash, Dragonball: Majinjou no Nemuri Hime, Dragon Half, Dragoon, Elf wo Karu Mono-tachi, Figure 17: Tsubasa & Hikaru, Flying Witch, Fortune Quest, Futari wa Precure Splash Star: Tick Tack Kiki Ippatsu, Galaxy Angel 2, Garo: Honoo no Kokuin, Godzilla: Kaijuu Wakusei, Grand Blue, Hellsing Ultimate, Hybrid Child, Inugami-san to Nekoyama-san, Iron Man, Jinzou Ningen Kikaider, Junjou Romantica, Kakurenbo, Kanamemo, Made in Abyss, Mahoutsukai Sally, Makai Senki Disgaea, Mary to Majo no Hana, Meisou-ou Border, Melty Lancer, New Game, Ninja Batman, Ojamajo Doremi, Overlord II, Panda Kopanda, Pokemon: Mewtwo no Gyakushuu, Puni Puni Poemii, Renkin San-kyuu Magical Pokaan, Sailor Moon SuperS, Slayers: Great, So Ra No Wo To, Tetsuwan Birdy Decode, The Choujo, Tiger & Bunny, Uchuu Kaizoku Mito no Daibouken, Witch Hunter Robin, Xiao Qian, Yousei Hime Ren, Yuru Camp, Yuuki Yuna wa Yuusha de Aru, Yu Yu Hakusho the film

The Moffat Award for worst writing in a series or OVA we’re supposed to take seriously. Prior winners: Dansi Bunri no Crime Edge, Neon Genesis Evangelion, Madhouse’s X-men, Brain Powerd & Elfen Lied. This year they’re joined by Tiger & Bunny.

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With tacky product placements, massive plot holes, terrible characters and an inconsistent world Tiger & Bunny is truly garbage.

The Simone Award for best writing in a serious series or OVA. Former champions were Psycho Pass, Ghost in the Shell SAC, Nanoha StrikerS, El Cazador de la Bruja, & Mononoke. This year it has to go to the year’s one 10/10 series, Cowboy Bebop.

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A classic in the truest sense and well deserving of the Simone award.

The Abrams Award for worst writing in a film. This has gone to End of Evangelion, Metropolis, Hetalia: Paint it white, Hanare Toride no Yonna & Arion. This year the two I kept coming back to were Bio Hunter & Godzilla: Kaijuu Wakusei. But only one can sit at the bottom of literal excrement and this year it’s Bio Hunter.

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Netflix’s Godzilla may have been slow, boring and had a really lame depiction of Godzilla but Bio Hunter is a film dedicated to having as many dumb, nonsensical plot points as it can fit. Which does make for a worse film.

The Miyazaki Award for best writing in a film. This year’s winner will join Nausicaa, Kara no Kyoukai 4, Spirited Away, Mononoke Hime, & Koe no Katachi. This year, it goes to Futari wa Precure Splash Star: Tick Tack Kiki Ippatsu.

Splash Star film

I struggled a bit to decide from this, Aki no Kanade & Slayers Great. This one ultimately gets it because I think it has the strongest pacing and a more engaging conflict out of the three.

The Macfarlane Award for worst comedy. Previous winners were OreImo, Kill la Kill, Sunabouzu, Kashimashi & Idol Project. This year it was hard to decide between Grand Blue & Elf wo Karu Mono-tachi. Both are absolutely terrible but the worst of the worst is Grand Blue.

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Here’s the thing, I rolled my eyes a lot when watching Elf wo Karu Mono-tachi but I got more annoyed when watching Grand Blue and the reason both for that and Grand Blue ultimately getting it is that the characters in this are so unbearably obnoxious.

The Pratchett Award for best comedic sense. The prior winners were Bottle Fairy, Doki Doki PreCure, Yuru Yuri San Hai, Gochuumon wa Usagi Desu ka 2 & Azumanga Daioh. This year, it goes to Galaxy Angel 2.

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This series is just an absurdly good time. It’s hyperactive, zaniness at its finest.

The Meyer Award for worst romantic elements. We’ve given this to OreImo, Mawaru Penguindrum, Love Hina Again, Dance in the Vampire Bund & Wolf Guy. Romance is hard to botch as badly as these series managed but this year, we had one heavily romance-oriented work that did it. And that’s Junjou Romantica.

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Yes, the story where the main couple has a relationship built entirely off of rape. It’s also our first winner that isn’t het, proving that any type of couple can be terrible.

The Kanemaki Award for best romance. Previous winners were Btooom (for Himiko/ Ryouta), Mahou Shoujo Lyrical Nanoha, Mahou Shoujo Lyrical Nanha StrikerS (both for NanoFate), El Cazador de la Bruja (Ellis/ Nadie) & Shuumatsu no Izetta (Finé/ Izetta). This year is a bit tough because there aren’t really any amazing romances but we do have more than one solidly good one and the best among them is Inugami-san to Nekoyama-san.

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They don’t have a really complex relationship, but it is pretty damn cute. It’s just an enjoyable, light-hearted romantic dynamic.

The Anno Award for the worst cast of characters. The former crap crews were End of Evangelion, Neon Genesis Evangelion. Love Hina Again, Kashimashi & Elfen Lied. This year the winner is Grand Blue.

Grand Blue

There are very few anime where every character is immediately hateable to this extent. Grand Blue seems to make it a point of pride to have trash characters.

The Moore Award for strongest cast of characters. The previous champions have been Sailor Moon, Rainbow: Nisha Rokubou no Shichinin, Death Parade, Sailor Moon S & Hunter x Hunter 2011. Usually, this award goes to something with a very robust cast that manages to do a spectacular job with writing them all well. Simply because it’s harder to write a cast of a dozen well than it is to write a cast of five. This year, I have to give it to So Ra No Wo To.

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It has a smaller core cast than I’d normally look for, but every side character is really well written. The main cast is amazing and the series gives the “antagonists” sympathetic motivations and makes them very human.

The Bendis Award for worst conflict. The winners thus far have been From Up on Poppy Hill, SAO, Ice, SAO II & AD Police. This year the series that least knows how to keep things remotely compelling is Meisou-Ou Border.

While not among the worst series I’ve watched overall, it has nothing happening in it. The “conflict” is basically two idiots mucking about. Adventure?

The Claremont award for best major conflict. The plots that got this previously were Psycho Pass, Shingeki no Kyojin, Nanoha As, Haibane Renmei & Vivid Strike. This year, it goes to Figure 17.

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What makes this one really stand out in regards to this is that it has multiple conflicts. The whole situation with Tsubasa & Hikaru as heroes is one thing. Their interpersonal situations involve more and they’re all really compelling and they mesh together very neatly. Which is very impressive.

The Liefeld Award for worst visuals. Aku no Hana, Amada: Mario Brothers, Corpse Party, Garzey no Tsubasa & Elfen Lied all won this for the series category. For films, DBZ: Fusion Reborn, Hanare Toride no Yonna & Arion have taken it. This year, the winners are Ajin 2 & Godzilla Kaijuu Wakusei.

Ajin 2 earns its spot for having bad artwork that really hurts what it’s going for. Netflix’s Godzilla earns it by also having CG that looks like crap and also having the worst action sequence involving Godzilla ever animated.

The Urbino Award for amazing artwork. Series winners have been Mushishi, Stand Alone Complex 2nd gig & Gundam: Iron-Blooded Orphans. Film winners have been Nausicaa, Tokyo Godfathers, Spirited Away, Mononoke Hime & Kaze Tachinu. This year our winners are Flying Witch & Mary to Majo no Hana.

I won’t lie, the series one was really hard to pick since Cowboy Bebop, Flying Witch and Boku no Hero Academia all have spectacular art and animation that stand out. But, ultimately, if I was going to just look at images from any of them because the series just looks so good, it would be Flying Witch. Mary to Majo no Hana was an easy choice. The backgrounds, characters and everything else in that film just looks great.

The Spencer Award for horrendous mouth noises. Previous winners were Sailor Moon’s English dub, Neon Genesis Evangelion, Ice, Kashimashi & Wolf Guy. This year they’re joined by Yousei Hime Ren.

Elf princess Rane

The other two series I really considered giving this too were Grand Blue & Puni Puni Poemii but, while those both had really annoying acting, this one was so badly done it literally gave me a headache to listen to.

The Sir Stewart Award for greatest acting. This one is always difficult to choose but the previous stand outs have been Black Rock Shooter (OVA), Nanoha, Glass no Kamen, Shouwa Genroku Rakugo Shinjuu and Hunter x Hunter 2011. This year, it’s going to Cowboy Bebop.

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Cowboy Bebop is a series with excellent actors and they’re all fantastic in it. So, while a lot of other anime I’ve reviewed this year have had great acting, it does stand out as the best.

The Perry Award for awful music. Previously, this was granted to English Sailor Moon, Street Fighter II, Mars of Destruction, Kagewani & Arion. This year, it goes to Puni Puni Poemii.

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The soundtrack in this is what happens when a good composer seemingly doesn’t give a shit. And the OST suffers immensely for it.

The Kloss Award for fantastic music. Previous winners were Slayers Perfect, K-on the film, Love Live 2, Love Live the film & Shuumatsu no Izetta. This year I have to give it to So Ra No Wo To.

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Not only does it have a superb OST in general, but the whole motif it has with music is amazingly graceful. Which does help the series stand out from all the others with strong music.

Five Worst of the Year:

We’ve gone over the worst in various categories, now let’s do some rankings. Starting with the least bad and going to the worst. This year, all of this list is going to be populated by 2/10s. And we had six of those, so one is going to be left out.

#5: Godzilla Kaijuu Wakusei

Honestly, I think this one earns a spot because of how incompetent it is as a Godzilla work but it’s not quite as egregiously bad as most of the 2s. So, it gets the highest spot of the five.

#4: Bio Hunter

Bio Hunter is dumb. Really and truly insipid. But there isn’t as much wrong with it as there are with most of the 2s.

#3: Elf-wo Karu Mono-Tachi

I struggled with whether to give this one the two or three spot. But my big issue with this is its fetishy bullshit humour and I had a lot more negative things to say about the series that did get that spot.

#2: Tiger & Bunny

This series can take its tacky product placements, awful homophobic character who shares the name with an amazing game franchise and nonsense plot straight to Tartarus. I really hated it.

#1: Grand Blue

You probably saw this coming. Awful characters, horrendous jokes, random incest. This series is the Prince of Shite for the year.

Five Best of the year:

As usual, let’s end on a positive note. We may have seen some shit this year, but we’ve also seen true greatness. And here are the five at the top. Keep in mind, #5- #2 were all really close and separated by very slight margins.

#5: Yuru Camp

This series is highly endearing, features an adorable chihuahua, nice scenery, fun characters and a lot of les-yay.

#4: Flying Witch

This is a series that just feels good to watch, has a great cast of characters and looks amazing.

#3: So Ra No Wo To

A fantastic series with a phenomenal cast of characters, interesting events & superb music.

#2: Galaxy Angel 2

This one is just uproariously funny for the vast majority of it. It could be nearly a perfect comedy if not for that episode that takes a serious tone.

#1: Cowboy Bebop

Everything about this series is stellar. It’s not just a classic anime but a classic of science fiction. 

Puni Puni Poemii: Wishes it could be on par with Excel Saga

Puni Puni Poemii is an OVA from the early 2000s. It’s ostensibly a spin-off of Excel Saga although the two don’t have that much in common, but I’ll get to that in detail later. It was brought to us by JC Staff. Like Chocotan, Voogie’s Angel, Potemayo, Kill Me Baby or a whole bunch of other anime of varying quality I’ve reviewed. It was written by Kuroda Yousuke, which could also go either way considering he’s done scripts for absolute trash like Highschool of the Dead but he’s also done script work for solid anime like Battle Athletes. So, let’s see how this stacks up.

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Story:

We open with an action sequence involving our “heroine” fighting her way through a bunch of magical girls including Usagi from Sailor Moon and Sally. But don’t worry, they appear very briefly and there’s a bright red filter so it’s not copyright infringing.

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After this, we cut to Earth and the whole action sequence is never mentioned again which makes it entirely pointless. We meet Watanabe Poemi who calls herself Kobayashi because “her actress can’t get into character.” That’s the level of humour we have to look forward to. Kobayashi loses her parents to a stand user but gets taken in by the Aasu sisters, thanks to her friend/ red string of fate partner Futaba.

Let’s start with the big problem with the series. Most of the jokes aren’t funny. The opening sequence is a great example. Poemi goes through a bunch of familiar magical girls in a brutal fashion that just comes across as mean-spirited. Compare that to Excel Saga where there’s also a clear reference to Sailor Moon but it’s actually a joke and a very funny one. And having a battle between the characters could be funny. Just have Poemi win by pushing the Usagi look alike into a desk with a maths test or something to that effect.

Then there are the jokes that are based around Kobayashi talking really quickly and loudly. Which you can also compare to Excel Saga since that was also a part of Excel’s character. The difference is that Excel had funny dialogue to go with it and in this the entire joke seems to be that she’s ridiculously energetic to the point of being annoying. There are also a lot of fan-service jokes, which just come across as crass and exploitative. Then there are the fourth wall breaking jokes which generally just don’t work all that well. Fourth wall jokes work best in moderation and used at unexpected, strategic moments. Not so much when they’re a constant, in your face factor.

That being said, there are some funny moments. Having Futaba and Poemi’s relationship be like a super homo-erotic relationship you would get in a magical girl series while one of them pursues some random guy anyway works since they make it even more blatant and have the girl without any interest in a male love interest, Futaba, actually react to the way her obvious girlfriend is carrying on. There are also some funny action sequences. The scene where Nabeshin fights the one-balled alien is really funny. Unfortunately, those actual moments of comedy are heavily outweighed by the unfunny moments.

Characters:

There aren’t much to the characters in this. Kobayashi is just kind of loud and annoying. Futaba’s main schtick is that she’s madly in love with Kobayashi. Her sisters are all one-note fetish fuel. Which becomes especially obvious towards the end with an egregiously unfunny scene, but it’s totally okay because they lampshade it as being fan-service.

Art:

My big issue with the art is the excessive fan-service. It’s not the only problem. The backgrounds are frequently lazy. The opening sequence with its red filter to marginally disguise the familiar characters we’re looking at actually hurts the eyes. It’s like that climactic battle with the red filter from Figure 17, but much worse. And there’s just not much to recommend the artwork except for the visual gags in the aforementioned Nabeshin fight.

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Sound:

The acting isn’t very good. I think that both Kobayashi Yumiko & Imai Yuka are capable actresses. They’ve been strong in series like Angel Beats or Doki Doki Precure but one of the by-products of going with the obnoxious, hyperactive style of humour is that your actors don’t come across very well. And I’m speaking as someone with ADHD. The music also isn’t very good. It’s the worst showing I’ve ever heard from Masuda Toshio. And we know he can compose because he also did music for Mushishi.

Ho-yay:

Like I said, the stuff between Futaba & Kobayashi is really obvious. To the point where there’s a red string of fate joke and they disappear together into a futon while Kobayashi is naked. So, they’ve had sex.

Areas of Improvement:

  1. Take better advantage of the magical girl parody aspect. Like I said, when it actually parodies the whole “blatant les-yay, but here’s a male love interest so we can pretend it’s not” element that’s common in magical girl series, it’s actually funny. They could do more with that. Have a character who they think has been brainwashed into turning evil, give the big speech about friendship & “opening their eyes” only to have the character just be mad over some minor sleight. Have a magical creature companion but no one can actually understand it when it tries to talk to give advice. There’s a lot of room for actual genre parody here.
  2. Have a modicum of class. Excessive fan-service in and of itself is not funny. So, just show some restraint and do something that’s actually funny instead of bringing in all the fan-servicey shite.
  3. Limit Fourth Wall Breaks. Like I said, these work best in moderation. In two episodes I would say the most you should have if you want them to retain their impact is three or four.

Final Thoughts:

Puni Puni Poemii wants to have the style of humour that Excel Saga uses to great effect. The problem is, it doesn’t have a good sense of why Excel Saga works. As a consequence, it takes some superficial aspects like the quick, energetic dialogue and acts like that’s enough. And while it has the occasional comedic bit that works, most of it is just obnoxious. In the end, I give it a 3/10.