Tag Archives: Spider-man

July Bonus Review: Spider-man Unlimited

The late 90s were a bad time for Marvel cartoons. There were animated versions of the Avengers, Spider-man & Silver Surfer and none of them lasted for longer than a single series. So, where exactly did Marvel and Saban go wrong with these properties? I might look at the other two later and give a really detailed answer, but I’ll start with a look at Spider-man Unlimited and let’s see where it went wrong.

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We open with John Jameson preparing to launch to the newly discovered, mysterious, Counter-Earth. Peter Parker is taking pictures when he notices Venom and Carnage sneaking aboard the shuttle. He goes to stop them but fails. The shuttle launches with them aboard and crashes on Counter-Earth, seemingly killing John. Naturally, the public blames Spider-man because no one noticed the symbiotes going aboard or happened to take video of the historic launch. Because why would you? Eventually, a video comes from John Jameson explaining that he’s on Counter-Earth and warning of some kind of danger that could threaten Earth if it’s not stopped. Spidey responds by hijacking a shuttle and going to Counter-Earth. Not to deal with the situation he just wants to bring John back. Does he seem like the type of heroic person who would face that kind of threat? He finds out that this new Earth is a lot like ours, but it’s got beast people and normal people and the beast people are in charge under the High Evolutionary.

There are two massive issues with this cartoon and I’ll list them both before explaining how they come into play since they’re frequently connected. The first is that it never really commits to its Counter-Earth gimmick. The second is that the writers can’t be bothered to think anything through. Let’s look at Spidey’s journey to Counter-Earth. He announces to everyone that he’s going to rescue John and clear his name. Then, in the exact same voice, he tries to explain why he’s going as Peter Parker in a truly pitiful attempt to salvage his secret identity. To make this even more inexplicable, he tries to hide the fact that Peter Parker is there from John because if John knew he’d figure out the truth. Now, think about that for a moment. Literally everyone on regular Earth knows. If them knowing is a give away, your secret identity is over. Period. There’s no need to try and hide it any more. John’ll just find out when he returns and learns that Parker left with Spidey. But the writers want to keep the secret identity because it’s in the comics and everyone knows that element of Spider-man stories.

The symbiotes are another great example. In this cartoon, the symbiotes are part of a great hive mind called “the Synoptic” but they still talk to one another like two separate beings because they wanted them to retain something of their unique identities. They also display new powers, becoming liquefied or opening holes in their chests to let projectile weapons pass through them. However, in spite of that, we’re still expected to believe that they have human hosts. Because Cletus Kasadt really has no torso and Eddie Brock can become mush. It makes perfect sense until you spend a millisecond thinking about it.

Spidey’s motivations  are also impacted by this combination of not wanting to commit and generally not thinking. He keeps whining that it’s not his planet or his fight because the writers don’t want to have a story about Spidey as a resistance fighter. They want him to swing around New Yory city, yes Counter-Earth has its own, and fight bad guys, including Counter-Earth versions of Kraven & Electro, because it’s more similar to what he actually does. Seriously, if you just wanted to have Spidey swinging around and fighting crime you should’ve just skipped the whole Counter-Earth bollocks.

There are some smaller issues too. The final episode ends on a cliffhanger, because they wanted to punish the five invested viewers they had. Spidey’s signature wit is basically absent. I mean, they try, but they’re really bad at it. For example, when he meets the knights of Wundagor Lady Vermin says they shouldn’t fight because he looks fair to her eyes and he responds with “And you look most rat-like to my own.” Somehow, she considers this flattery even though it’s just a description. Does she also think it’s flattery when someone says that she’s pale? There’s a point where Venom says he’s history and his response, in Unlimited fashion, is to say that History was never his best subject. He prefers Phys Ed, before knocking some support pillars over. That’s the best he could come up with in that situation? What about “History’s written by the winners. You’ll never decide what goes in the books.” or maybe “I just hope they remember my ability to bring the house down.” Either of those would have been much better and fit the character better. And there are moments that don’t make sense, like the guy who can become moving bandages being unable to use his powers to escape a cage with openings that he should be able to fit through.


Here’s another major failing of the cartoon. These characters are boring. There’s no reason to care about anyone in the resistance because they’re such non-characters. the High Evolutionary was more interesting in the one episode of the 90s X-men cartoon he appeared in than he manages to be in the entirety of this where he’s the big bad. Then again, that show had competent writing. This version of Spider-man comes across as whiny and completely lacking in endearing qualities.


I can give the artwork some praise. There are some nice visuals and the action sequences look fine. There are some issues. Spidey’s new costume is trying way too hard to be “extreme.” Most of the symbiotes look identical and leave identical growths on their hosts which is boring and causes you to question what makes the ones we’re familiar with different besides the writing being terrible. This series also has the most unimaginative tattoos. John has one that just looks like the pencil outline of a crescent moon. And there’s another dude in the Resistance who has one that’s just the word “Mum.”


The acting is mostly passable enough. It’s not good, but it’s functional. Then there’s Rhys Huber. He is truly awful. Michael Donovan is a bit rubbish too, but nowhere near that bad. The music is, likewise, pretty passable but not good.

Final Thoughts:

Ultimately, I think this series failed because of unlimited poor decisions. It can’t decide whether it wants to do the same old types of stories or have its Counter-Earth gimmick and the result is a mess. There are constant dumb writing choices that are, frankly, insulting to the audience. Because kids aren’t stupid. They can tell that there’s something off when it’s that blatant about it. In general, it’s just bad. My final rating on this one is going to stand at a 3/10. If you guys are interested, maybe I’ll look at the other two at another time and explore why they failed to grab audiences.


December Bonus Reviews: Spectacular Spider-man

Back in ’08, Marvel, Sony, Culver Entertainment & Adelaide Productions all worked on a Spider-man cartoon. It ran for two series, getting cancelled due to Disney’s acquisition of Marvel at the end of ’09. Let’s take a look at the series and see how it holds up. 

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for those of you who don’t know about Spidey’s origin, science fan, Peter Parker, gets bitten by a radioactive spider. He develops super powers. Uses them to try and make  money, learns to use his powers responsibly after he lets a criminal go and his uncle Ben is killed. Spectacular opens shortly after he’s gained his powers and lost his uncle. Spidey finds himself facing his first real challenge as a crime fighter, the Enforcers. A trio of criminals made up of Fancy Dan, the Ox & Montana. 

There are two pretty significant flaws with the story telling. The first is that things frequently move too quickly. The series is very fast to introduce new villains or to give old ones super powers or to bring in new characters in general. There’s no real time to do anything significant with the old characters before new ones come in. Which really hurts the series when they try to have big moments where things really change for someone. Take the first episode. Not only are we introduced to the Enforcers, but also the Vulture and a whole slew of supporting characters. There are parts of the series that take things more slowly, but a lot of it is painfully hyper. And I have ADHD. The second issue is that the series tries to tie everything together to an absurd, heavily contrived degree. Basically every single villain in the series comes  from the Big Man’s experiments. A lot of them are also strangely connected to Spidey or  Peter Parker or someone Peter happens to know very well. It’s almost like this Spidey lives in a world of super contrived coincidences. 

With that being said, this series is pretty good at capturing the aesthetic of the comics. Well, some of the comics. It blends the big action sequences with life trampling on Peter and his school drama. It may very well capture the Spider-man aesthetic of the late silver, early bronze age better than any other adaptation has. I also like that it’s more light-hearted and less melodramatic than a lot of other adaptations about the character. It does  make for a refreshing change.


The characters in this series are pretty mixed. They do a good job of capturing Spidey’s quips, banter and general attitude. They also do a good job with him as Peter Parker. They do a nice job with Gwen and her father and all without any horribly written retcons about how she had an affair with Norman Osborne. Why must you get horrible writers on your books, Marvel? But I digress. The villains in general are the issue. Most of them are pretty bland. They had a chance to do something interesting with the Green Goblin, but they decided not to. In general, they’re like flat caricatures of the comic versions. Venom might be the one who suffers the most. This series tried to make him a tragic figure, with Eddie Brock starting out as Peter’s close friend and elder brother figure, but his shift to a villain isn’t very well handled. Not only that, but they also try to have him as a deadly foe who knows all of Spidey’s secrets and hates him. As a result, his motivations are confused and inconsistent. 

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I don’t really like the art style in this series. For me, the characters just look too exaggerated with some being absolutely tiny and others being over-muscled monstrosities and yet others being practically spherical. Then we  have the eyes. They have no irises.  They’re just overly large, circular pupils inside the white space. Even putting aside the style itself, there are some issues. Let’s talk about Aunt May. You may know her as Peter’s sickly, frail, elderly aunt. In this series, the only thing that makes her look like any of that applies to her is her white hair. She  looks relatively young and healthy. She doesn’t even have a single wrinkle. Which could have worked if they were doing something different by having Aunt May, but having her be fairly healthy and not as old as she is normally. But her poor health becomes a plot point so it’s more that the artists couldn’t be bothered to draw someone who looks elderly. Now, to the series’ credit, the action sequences do flow pretty nicely. 


Truth be told, when I  first watched this, I hated the English acting so much that I switched to the Spanish dub. However, when I do these reviews I like to talk about the original cast. So I went back and watched it in English. Josh Keaton is horrendous in this but the problem isn’t relegated to him. James Arnold Taylor, Benjamin Diskin, Steven Blum, Alanna Ubach, and Deborah Strang are all really bad. I  don’t know if it’s poor direction or just bad casting, but the result is that it’s pretty painful to listen to. The music is pretty decent, though. So, there’s that. 

Final Thoughts:

So, that’s Spectacular Spider-man. When all is said and done, it’s actually the second best Spider-man cartoon I’ve ever seen. It has a real sense of fun. The writing aesthetic is generally good and it captures the hero and some of the biggest supporting characters well. That being said, the pacing is overly hectic, trying to tie everything together gets ridiculous, the villains are under-developed, I don’t care for the art style and I don’t recommend watching it in the original English. If I’m rating the English version, I’d give it a 5/10. For the Spanish version, I’d bring it up to a 7/10. For a kid’s cartoon, it does do a good job. 

Next week I’ll continue December’s extra reviews with Spaceballs. Until  then, enjoy your holiday season whether you celebrate Hearth’s Warming, Hogswatch, the Solstice, Hanukkah, Kwanzaa, Saturnalia, Christmas, or any other holiday.