Tag Archives: Precure

Futari wa PreCure: Splash Star- Holding Hands with the one you love gives you power because… PreCure

Let’s take another look at Toei’s PreCure franchise. So far, I’ve looked at Futari wa, Max Heart & Doki Doki. This time around, let’s talk about Splash Star.The third instalment of the franchise that ran from ’06 to ’07. How well does it hold up compared to the other instalments we’ve looked at? Let’s take a look.

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Young Mai is moving back to a city she used to live in. While exploring, she encounters a familiar looking girl, Saki, underneath the sky tree. The two encounter a pair of faeries, Flappy & Choppy, who remind them that they briefly encountered each other beneath that same tree five years ago. A brief instant that was so formative for the pair that it apparently caused their fates to intertwine because PreCure has never been subtle with its massive amounts of subtext. The two are confronted by a leafy looking menace who demands that the faeries disclose the location of the fountain of the Sun. Saki and Mai go to their defence, transforming into Cure Bloom and Cure Egret. Together, they set off on a mission to revive the holy fountains.

Honestly, there aren’t any major problems with the series. About the worst you can say about it is that it’s very much a magical girl series with all the optimism, enemies of the week, transformation sequences and such that are prevalent in the genre. And there’s nothing inherently wrong with a work in a genre being very much grounded in that genre. Especially when it’s something like this with a young target audience.

Splash Star has a lot of aspects that are kind of similar to Futari wa but that are also distinct. Both series feature an athletic girl and one who is into more intellectual pursuits. The characters even look a bit similar. But they’re involved in different things and have different issues related to those interests. Both series have a generic male love interest who’s barely acknowledged because every time he shows up for a moment with the girl who has a crush on him it’s used to transition into a bigger moment for her with the other PreCure but Splash Star makes use of that a lot less and has different kinds of moments betwixt the girls as a result. In both of them, the athletic girl has a younger sibling. But the relationship dynamic that Nagisa had with her brother was a lot different from the one Saki has with her sister.

I do like the pacing in Splash Star. It does a really good job of introducing a variety of major villains, giving them some time to be menaces and then bringing the next one in before you can get tired of the current one. Splash Star also features a superb redemption story with some surprisingly tragic moments within it. Darn it, PreCure writers, stop making me feel things. I’m supposed to be a cynical git. A cynical git who hates everything. Or so I’ve been told. There are some strong moments of tension in the series as well. They really make you curious about how Saki & Mai are going to resolve things. Although you know they will because it’s PreCure. The climax is really well done too. The series is just generally fun, cute and endearing.


There are some strong characters in Splash Star. Saki and Mai are great. Their families are a lot of fun. Michiru and Kaoru are great. The supporting cast has a lot of fun, colourful characters within it. In terms of antagonists, most of them are pretty standard. The big exception is Alex Louis Kintoleski. There is something utterly delightful about him and his techniques that have been passed down the Kintoleski line for generations. Shitataare and DoroDoron are kind of fun at times. The worst character, by far, is Moerumaba. He comes across as a strange blend of gay and Latin stereotypes. The faeries aren’t particularly compelling, but they’re decent enough.

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There’s a lot of praiseworthy aspects to the artwork. The backgrounds are nicely detailed with some very nicely done scenery. The action sequences can be absolutely amazing. I do love the way this franchise incorporates really physical brawling into its action sequences along with the special magic attacks and Splash Star is no exception to that. It does suffer from the same issue with the stock footage attacks that Futari wa did. Namely, that there are very few and they start to get dull after a while. This was before they’d learned to vary them a bit more, clearly. There are some really interesting villain designs. I can’t stand Moerumba’s and Alex Louis Kintoleski may be the best villain, but his design is kind of boring. He’s just a golden muscle man. Those two aside, great villain designs. I do like the PreCure designs too. I like that Saki & Mai have multiple Cure forms and I like their outfits. The monster designs continue to be very creative and interesting. Which is another thing the franchise has been consistently good at.


The best performances come from Kimoto Orie, Enomoto Atsuko, Fuchizaki Yuriko & Imai Yuka. There are plenty of other good performances as well. Sato Naoki is back for the soundtrack work and he does a really nice job.


Saki and Mai may be marginally more homo-erotic than Nagisa and Honoka were. They’re heavily inspired by one another. They gain strength when their hearts come together as one. They talk about their fated meeting. They have a date where they actually feed one another home made bento. They talk about how energised they feel when they hold hands. I can only imagine how much that’s going to increase when they get older and start snogging. In any case, their dynamic is adorable.

Splash Star8

Final Thoughts:

So, that’s Futari wa PreCure Splash Star. If you’re a fan of the whole magical girl aesthetic, it’s for you. You will almost certainly garner enjoyment from watching it. If you aren’t a fan of the genre, it’s not going to change your mind. For myself, I pretty thoroughly enjoyed it. Loved the characters. I give it a solid 8/10. Next week I’ll look at Wolf Guy.


Futari wa Precure: Max Heart: Surely, the most pointful of all sequels

Last year one of the magical girl anime I looked at was Futari wa Precure, the first in Toei Animation’s long-running Precure franchise. It was a strong start with endearing characters, a lot of good moments and strong, surprisingly physical fight scenes. Unlike many magical girl works, Precure believes in having their characters kick and punch instead of just tossing out stock animation special attacks. It also had a pretty strong ending that wrapped everything up. Which makes today’s material a little odd. Futari wa Precure: Max Heart is a direct sequel with the same characters, one of the only series of its like in the franchise. So, do they have something interesting for Honoka & Nagisa to do?

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After the events of the first series, Honoka and Nagisa have entered High School. It’s at this point where Honoka notices some feelings starting to well up, but she’s afraid to act on them since Nagisa hasn’t shown interest in girls like that. Thus begins their sweet and sublime love story.

Okay, so that doesn’t happen. The actual story takes place with the two of them in their last year of junior high. They’re living normal lives in the wake of the Dark King’s defeat. Unbeknownst to them, the Queen was critically wounded during their battle. She loses her cohesion, splitting into her life, her heart and her wills which take the form of tiny fairies called Heartiels. To make matters worse, the two heroines find themselves under attack by a new band of villains, Shampoo Advert, Moustache, Chin & Female. This time around they also have help, in the form of Shiny Luminous, Mai. In that fashion, Honoka, Nagisa & Saki find themselves in a race against time to find all the aspects of the Queen before their antagonistic foursome can bring back the Dark King.

Let’s start by looking at the big issue with the series as a whole. There’s way too much of a focus on Nozomi and Pollun. He’s as obnoxious as he was in the last series, except now there’s a lot more of him, and she’s just boring. Consequently, all of the emphasis on the two of them is tedious at best. Aside from that, the series just feels pointless. They’re back to fight the same big bad with the same major attack, except powered up while working towards gathering the pieces they need to get the same resolution. How very exciting for all of us.

On the positive side, there are still some strong moments, particularly when Urara stays on the sidelines and lets Nagisa & Honoka do their thing, and there are still some remnants of the good humour and generally entertaining moments that made the first series work. They’re just not nearly as prevalent or as strong.


Nagisa and Honoka are still really good characters and there are a lot of colourful and endearing personalities from our reoccurring side cast. Unfortunately, most of them have much more limited roles in this series. That being said, there are a lot of issues with the new characters. I’ve already mentioned how dreadfully dull Karen is, and how obnoxious Pollun is, so let’s look at some of our other major characters. Our antagonists in this series, Shampoo Advert, Moustache, Chin & Female, are really one-dimensional. The Heartiels are also really dull. Although, in their case there is some reason behind it. Each one is supposed to represent one aspect of the Queen’s still non-existent personality. I guess it was easier to imply that she has these traits than it was to actually show her use any of them ever. We’re also introduced to Pollun’s sister, Lulun. She has all of the characteristics that make him such a nuisance, but she’s actually less annoying to me due to the simple fact that the one who suffers the most from it is Pollun and it’s a bit cathartic to see him get a taste of his own obnoxiousness.


The art isn’t as strong as the first series, oddly enough. It still has creative monster designs, although fairly bland designs for the main four villains. It’s action sequences aren’t as strong either. There are still some really good action sequences, particularly during the climax. The punches, kicks and grapples get used, especially in those stronger scenes, but they’re downplayed in this one. Komachi doesn’t even bother with them. She either uses special attacks or, at one point, she lets the light coming from her device deflect attacks while she just holds it up like an idiot. Speaking of Luminous, there’s also the issue of Rin’s facial expressions. With the other characters, they’re allowed to display a wide range of emotions. With her, most of the time she just has a blank look or an expression of dull surprise. It’s almost like the animators wanted to capture her lack of personality.

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The strongest performances in this come, like the last series, from Honna Youko & Yukana. Ikezawa Haruna and, to a lesser degree, Tanii Asuka are the big weaknesses. To be fair to them, they did get cast as the annoyances and I doubt anyone could make those characters sound pleasant or emotionally complex. Even if they’d had Ishida Akira & Hayashibara Megumi voicing them they’d almost certainly still be cacophonous. To be fair, most of the actors sound fine. There are some, like Tanaka Rie, who sound like they’re not trying but I’m almost certain that’s a result of their characters having less emotional depth than your average paper-clip. The music is still good although, in some cases, a bit lazy. The opening theme is seriously just a remix of the opening from the first series.


The les-yay isn’t as strong in this series as it was in the first. Primarily because Setsuna acts as a third wheel, showing up whenever Honoka and Nagisa are having a moment and ruining the whole thing.

Final Thoughts:

Futari wa Precure: Max Heart is a pretty underwhelming sequel. While it isn’t bad and it does retain some of the good aspects of the first series, it also gets encumbered with a lot of pointlessness and suffers from adding a whole lot of trite characters with the most egregious being Miki. Yuru Yuri likes to joke about Akari’s lack of presence, but that girl is so unbelievably boring I’m not sure I even got her name right. It also suffers from excessive use of Pollun. All in all, I think the annoying moments and the good moments even out pretty well. In the end, I give it a 5/10. It’s an average series. Next week it’s Overlord.

Five constructive ways to improve Doki Doki Precure & Kigurumikku

Okay, it’s time to try the final idea I had for weekend posts. Going into this, I couldn’t decide whether to do the list for something that I had given a high rating or something that I had given a low rating. Doing it for something good takes more work but the changes are also going to be less extreme. In the end, I decided to do one of each. For the good we’ve got Doki Doki Precure and for the bad we’ve got the series I reviewed this Wednesday, Kigurumikku V3.

A couple things to keep in mind. First, there are going to be spoilers. So be aware of that. Secondly these are things that I think would improve the series in question.  You may agree with my thoughts on it or you may think I’m off base or completely crazy. Which I’m not, I’m just eccentric. Either way, feel free to share your own ideas on the subject. Thirdly, these aren’t going to be in any particular order. With those details in mind, let’s begin with the bad series.

Kigurumikku V3: 

1. The fan-service. This series focuses far too much on bosoms and other feminine parts. Part of the problem is just that it’s in poor taste, especially given that most of the characters are really young. The other part of the problem is that it doesn’t really do anything from a comedic perspective. Women having bosoms isn’t funny. Women getting their clothes ripped and having their bosoms seen by strangers is also not funny. When you’ve got thirty minutes of content and you’re trying to be comedic you really can’t waste time on attempts at titillation.

2. The train scene. I didn’t really talk about this one specifically in my review, but there’s a scene where the older sister goes on the subway, gets groped by a pervert, rescued by one of the girls and told that she shouldn’t have dressed like that. First off, someone getting molested on a train isn’t funny. But what makes this scene particularly horrible is the whole victim blaming aspect. Not just because it’s bullshit, but because it’s been used on actual people who have suffered from terrible things being done to them. It would be one thing if this was a drama and they were actually using it to contribute to the conversation about victim blaming, but it’s a comedy and it’s not smart enough for that.

3. The performances. The series doesn’t have bad actresses. In fact, I think all of them have had roles in better light-hearted series. Koyama was in Gokujou Seitokai, which I’ll probably review at some point. Iguchi was in Girls und Panzer & Tomatsu was in Sakura Trick. The problem is that the direction in this series called for them to go loud and obnoxious. Subtle and dramatic performances wouldn’t have worked for what they were doing with the series, but there’s a happy middle ground between that and super exaggerated which they should have gone for.

4. The mascots. Yes, mascot characters are a part of most magical girl series. However, given how short this series is they really shouldn’t have had three mascot characters. You really only need one to make jokes about that particular trope.

5. The humour. They have a few genre jokes like having all the girls be instantly recognisable and actually having people recognise them unlike a lot of magical girl series where their identities should be obvious but no one seems to notice but most of them are more focused on the girls talking about boobs or the older sister getting stripped. Most of the jokes are rather tasteless perverted jokes. If they’d focused more on the parody aspect and less on that then they might just have made something funny.

Doki Doki Precure: 

1. The problem with carrots. Let’s talk about one of the bad episodes specifically. There’s an episode where we find out that Ai and Aguri hate carrots. Which you might not consider a big deal. Everyone has foods they don’t like so just let them eat some other vegetables. But no, this is played up as a big deal and they’re taken to a farm to learn about how much work brought those carrots to their plates. Which is bull crap since disliking one type of vegetable hardly constitutes being overly picky. In fact, that’s an easy way to fix it. Have the two of them be really unreasonable about not wanting to eat vegetables at all. Then you’ve got a situation where the other characters don’t come across as majorly over-reacting.

2. Aguri needs more development. When I reviewed this anime I talked about how Aguri is an under-developed character. This did not have to be the case. They could have taken time during those five weak episodes to focus more on her and develop her as a character beyond her liking sweets and scolding the other girls a lot.

3. Ai. The series actually does something interesting with Aguri and Regina being two parts of Princess Ange resulting from the selfish overtaking half her heart. Then it’s further revealed that Ai is a third aspect of Princess Ange and that’s why she needs to be there. Except that this plot element would be stronger without a third aspect. Not only that, but four of the five weak episodes focus on Ai and she’s just really annoying. As such, my solution would be to have Regina and Aguri as the split aspects of Princess Ange, give Cure Ace a regular non-ear splittingly obnoxious fairy to use for transforming and use those extra episodes for more character development.

4. The Fairy ticks. I know that it’s a staple of the precure franchise to give the mascot characters verbal ticks. However, I don’t think it’s a good element to them and I think the acting would have been stronger if the faeries had just spoken normally. At the very least they could have had some kind of different accent instead of saying parts of their names with every sentence.

5. Stock footage attacks. This is one that’s a staple for the genre and, again, the stock footage doesn’t look bad. I still think it would have benefited from taking more time to make the special attacks a more seamless part of combat and ignored the stock footage convention.

Futari wa Precure: Rainbows and hand holding

We’ve reached the end of magical girl month, so let’s dive back into the Precure franchise. It wasn’t that long ago that I looked at Doki Doki Precure, one of the more recent installments in the franchise. This time let’s go far, far back to 2004 when Toei animation first started the franchise with Futari wa Precure. Was the series as good back then or is this one of those franchises that got a rough start? Let’s take a look and find out.


Young Misumi Nagisa is in her room when she notices falling stars. One of them crashes into her room, hits her in the head and turns out to be a strange creature that had turned into a cell phone like device. He calls himself Mepple and asks Nagisa to take him to Mipple. She goes out, following his directions only to run into a classmate she barely knows, Yukishiro Honoka. The two are attacked by a strange villain called Jean Luc Pisard, who looks like he belongs in a Kabuki theatre. To fight him, they hold hands, go through rainbows and transform into Precure. After fending him off they find out that Mepple and Mipple are denizens of the Garden of Light, which was invaded by the Dark King. In order to save it they have to defeat his minions and get the seven Prism Stones, two of which they already have.

Let’s open, as usual, with the narrative problems. The first is that the story arc is kind of bizarre. It’s like the writers thought that the series was only getting twenty six episodes only to find out that it was going to be nearly twice as long when they’d already set everything up for the finale and they had to backtrack to rekindle the conflict. I’m glad that the series has the extra twenty three episodes because a lot of them are really good, but they still involve a lot of re-treading, at least in terms of the conflict. Another issue is that the characters who are supposed to be aiding them are frequently pretty useless. Take Wisdom as an example. He’s so useless that the one time he actually does anything he has to be told to act by Pollun of all people. Bloody Pollun.

Now, I’m going to talk about the gratuitous romance separately since I wouldn’t call it bad, but I also wouldn’t call it a good element since it is pretty pointless. However, it is kind of interesting in its execution. What do I mean by that? Well, it has to be the most passive aggressive inclusion of a gratuitous male love interest ever. It’s like the writers were told that they had to include a male love interest but they didn’t want to so they gave the guy a boyfriend who would always be by his side and engage in typical romance story tropes with him. Like one running happily to the other and apologising for making him wait. They sometimes bring up Nagisa’s crush on him and then use it as an excuse to develop her relationship with Honoka while avoiding doing anything between her and him. It’s like they’re actively sabotaging it with the combined power of yaoi and yuri. To be fair to the writers, if I was writing something for a studio and they insisted on it having het I’d do pretty much the same thing and it does lead to some funny moments.

There’s a lot about the series that’s praiseworthy. Futari Wa has a lot of really fun and funny moments, including an episode that focuses on Honoka’s dog taking care of a puppy. More magical girl series need episodes about dogs. But it’s not all fun. There’s some emotional depth to the series. It manages some really good tragic moments. Sure, they’re used sparingly, but they’re still there and they really work. There are some good tense moments too. The series is also good at building up major plot points and giving them a strong payoff.


Nagisa and Honoka are really strong leads and they have an excellent dynamic. Their families and friends are well fleshed out, with pretty much all of them having verisimilitude. There are also some strong interactions with them and their family and friends that really help flesh out their characters. I even like Fujimura and his boyfriend, and it’s rare to find a likeable character who is technically there as a gratuitous love interest.

The villains are the big weakness. They’re largely pretty one-note characters without much personality. To be fair, there is a reason for their actions that makes sense, but they still aren’t developed or interesting in the least. There is one major exception with a sympathetic villain who gets complexity, but I won’t spoil who it is. I also kind of like the two butler Zakenna. They aren’t developed but they are pretty hilarious. The Garden of Light denizens are another weakness. Most of them are just bland. The exception being Pollun. If he’s not as annoying as Ai was in DokiDoki, he comes really close. He’s bratty, obnoxious, frequently throws tantrums where he repeats the same phrase in the most grating manner possible and just causes problems for everyone. Especially the audience.


The art and animation are largely really good. Futari wa has good designs, except for the second set of villains who just look boring. It also has really good physical action sequence and detailed backgrounds. The monsters are nice and creative and I do like the little black stars who start apologising when they lose. They’re simple but well done. It does suffer a bit from repetitive stock footage. Especially in terms of special attacks. Nagisa and Honoka have two major attacks they use in the series and the animation used for them setting up even looks pretty similar. The big difference between them is what kind of beam gets fired. They get downright lazy with the Queen of Light too. Her design is pretty cool, but she doesn’t really move or change expressions.


Honna Youko and Yukana both deliver strong performances as Nagisa and Honoka. Really, most of the cast does really well in their roles. Sendai Eri and Kiuchi Reiko both do really well too and Ono Kenichi makes for a pretty intimidating villain. The big issue is Ikezawa Haruna. She’s not a bad actor, but she does voice a character who constantly whines, yells and is generally just painful to listen to. Honestly though, I don’t think anyone could have done better with a character like Pollun since his main purpose as a character is to be an annoyance. The music is stellar and there are several cases where they incorporate lyrical works into episodes to great effect. The choir episode in particular.


I touched on this a bit when talking about the romance, so I’ll refrain from repeating too much of that. For ho-yay we’ve got Fujimura and his boyfriend. There’s a bit of les-yay between Shiho and Rina. The main source of les-yay comes from our leads, Honoka and Nagisa. Even ignoring the rainbows and hand holding, though they hold hands about a hundred and thirty three times, there is a lot of homo-eroticism between them. For every awkward scene that goes nowhere with Fujimura, Nagisa gets ten really adorable scenes with Honoka. These two talk about how close they’ve gotten and share a bed while holding hands. They also play Romeo and Juliet and Nagisa forgets her lines and speaks purely from the heart in an amazing scene. Even with the gratuitous male love interest, the series earns a 6/10 for ho-yay.

Final Thoughts:

Futari wa Precure is a really strong series. It has a nice level of emotional depth, it’s fun, hilarious. a lot of the characters are well developed, the action is great and the acting is strong. Still, it does suffer from some story issues, Pollun, bland villains, Pollun, over-used stock footage, Pollun and some laziness. My final rating is an 8/10. I do suggest checking it out if you’re a fan of magical girl works or if you like super subtexty les-yay. So, that’s it for magical girl month. Next week we’ll open February with Natsu no Arashi.

Doki Doki Precure: Restoring your heart-throbbing excitement.

You know, as long as I’ve been doing this I’m surprised that this is the first Precure series I’m looking at. For those of you who are unfamiliar, Precure or Pretty Cure is a long running magical girl franchise from Toei animation. It all started with Futari wa Pretty Cure and the most recent installment is Happiness Charge Precure, which is currently ongoing. Most of the series within the frranchise don’t have anything to do with one another aside from a similar aesthetic and Doki Doki Precure is the tenth series within the franchise. The writing for this one was handled by Yamaguchi Ryota, who anime fans may recognise as the writer behind the Escaflowne anime. So, how does this one hold up?


Our story opens with a Precure, we later learn that her name is Cure Sword, fighting monsters in a desolate landscape. Skip ahead to a group of students on a field trip and student council President Aida Mana’s efforts to keep order. Their trip is interrupted when a teal-haired boy creates a monster from a person’s heart which attacks the area. Mana is told that she can transform, which she does, enabling her to save the day. She finds out that the monsters are called the Selfish and they’re attempting to gather dark energy to unseal their ruler, King Selfish, who was trapped in stone during the Selfish’s invasion of the Trump Kingdom.

It’s a pretty standard magical girl plot. So, the question becomes, how well is it executed? Well, let’s start with the positive aspects. The way the Selfish turn people into monsters is interesting and I do like that they always use the kinds of selfish thoughts that we all have at times. The antagonists in general are well handled, not being portrayed as outright evil but more as inconsiderate jerks which both makes for an interesting conflict and opens up the possibility of redemption, which is definitely taken full advantage of. The story also has some really good twists which are hinted at but are still difficult to anticipate. There are some excellent humourous moments as well and quite a few superb heartwarming moments. The series also manages some crowning moments of awesome.

So, with all that going for it, what are the weaknesses? The truth is that there’s only one major flaw to the storytelling. There are five episodes towards the end of the series (34-38) that have no bearing on the plot and are just kind of filler. Now, that probably doesn’t sound that bad. But these episodes are just annoying. The character interactions in them are weak. They lack the good humour of the rest of the series and four of the five put the focus on the worst character in the series, but we’ll get to her later.


Most of the characters in this series are really lovable and just generally amazing. Mana, Rikka, Alice, Makoto and Regina are all great characters who interact perfectly with one another and they’re a lot of fun to watch. Most of the side characters are quite enjoyable as well, especially Sebastian. (I wouldn’t mind seeing more of that charming man and his epic mustache.) There are really two weaknesses here. The first is Aguri. She is a severely under-developed character. Whereas the other girls act and feel like actual girls, Aguri is just kind of two-dimensional. Her main defining characteristics are that she scolds people and likes sweets. Her scolding can also get a little grating at times. That being said, Aguri is not that bad. The series has Ai for that.

Ai is the exceedingly obnoxious character I mentioned earlier who gets the focus for four of those five bad episodes. Most of the time Ai stays, thankfully, in the background, but there are moments when she comes into the forefront and she spends all her time there crying, throwing tantrums or just being generally the most obnoxious thing since Navi. Now, some of you are probably thinking “she’s a baby character, aren’t you being harsh?” No, no I’m not. There are two main reasons. One, she frequently doesn’t even act like a real baby so you can’t say “well, it’s a realistic portrayal of an infant.” It’s like she was deliberately written just to be annoying. Two, she is a pointless character. I’m not even kidding. The explanation they give to justify her existence in the story is really flimsy. You could literally replace her with a black Labrador and the story would still be just as cohesive, if not more so since most of the stupid and pointless episodes would be gone.


The art is done in kind of a cutesy style, which does work perfectly for the aesthetic of the series. I do appreciate that the girls look very different when they transform into Precures, which makes it realistic that they wouldn’t have their identities discovered. Unlike some magical girl series where they’re just wearing different outfits. I love Sailor Moon, but it’s a prime example of that as a problem. The monster designs are strange. There’s a mailbox goat, a stoplight monster and many others that are just weird. That being said, the designs are creative and I rather like most of them. Sure, a lot of them are silly but that works for the franchise.

The usual transformation and special attack stock footage are present and they’re just as lazy as they usually are. In all fairness, however, they aren’t bad sequences in the slightest. The special attacks are dynamic and the transformations, except possibly Aguri’s, do look good. I will give the series credit for its action sequences, a good percentage of the special moves involve actual weapons instead of wands, microphones, castanets and the like. The action sequences also involve actual fighting moves with punches and kicks. The combination of that with the stock attacks does make the action scenes a lot more dynamic and interesting.

Most of the action sequences are really good, but there are some that move up into excellent. I don’t want to give anything major away, but I will give one example. There’s a particular scene where an enemy breaks Alice’s shield in half. In a true crowning moment of awesomeness, she actually grabs the pieces and uses them like swords. It is just as cool as it sounds and definitely ranks among the best action sequences I’ve ever seen in a magical girl anime.


Doki Doki Precure has some really talented actors. Mana is voiced by Nabatame Hitomi (Gokujou Seitokai’s Kanade.) The other main characters, Rikka, Makoto, Alice and Regina, are voiced by Kotobuki Minako (K-on’s Mugi), Miyamoto Kanako (who I have not heard in any other major roles), Fuchigami Mai (Girls Und Panzer’s Miho), and Watanabe Kumiko (Sailor Moon’s JunJun.) They all give good performances. The music is really good. Especially Makoto’s songs.

That being said, it’s not all positive. The faeries all have verbal ticks that can get kind of annoying. Ai doesn’t get much dialogue aside from her usual shrill screaming, but when she does it’s pretty grating. The unfortunate task of voicing her went to Imai Yuka, who is not a bad actor by any means. You can even tell that from this series since she also voices Princess Ange, who is not obnoxious to listen to.


You know, I’ve seen a lot of anime with shoujo-ai subtext, subtext so blatant it might as well be text and text. This is the first time I’ve seen a series that has a shoujo-ai poly-amorous five-some. Mana, Rikka, Alica, Makoto and Regina all seem to be into one another, all of them but Regina even come out and say they love all the others. Regina only ever says that she loves Mana, but there are some really homo-erotic scenes where the other three reach her heart, particularly Makoto and Alice. You also get some lovely scenes wherein Rikka is said to be an ideal wife for Mana, which Mana agrees with, and wherein Makoto and Mana are likened to a newlywed couple. Some of you are probably wondering which pairing makes the most sense when it comes to those five? The answer really is a poly-amorous grouping. All five of these girls are incredibly homo-erotic with one another, and I respect their decision.

That isn’t even the extent of the les-yay in this series. Even Aguri gets some homo-erotic scenes with one of her classmates, Eru. It’s also heavily implied that Makoto had a crush on Princess Ange before the Trump Kingdom fell and, unlike some magical girl anime, there are no gratuitous male love interests to try and disguise it. The Ho-yay is at a solid 7/10 for a huge number of really cute scenes.

Final Thoughts:

This anime is cutesy, overly optimistic, kind of cheesy and I absolutely love it. It’s a highly enjoyable series with some great characters who have awesome interactions, surprisingly epic scenes, and some amazing tender scenes. It’s just a delight to watch. That being said, it does suffer from Ai, five bad episodes, Ai, a reliance on stock footage and, of course, Ai. Fortunately, those aren’t major problems since Ai is mostly kept to the background, and the bad episodes can be easily skipped without losing anything of value. I do highly recommend this to anyone who enjoys the magical girl aesthetic. Unless you’re one of those people who thinks that the worst trope commonly used in magical girl anime is the shoujo ai subtext (yes, those people do exist. No, I don’t understand it either) because there is a massive amount of it in this series. For myself, I give it a 9/10. Next week I’ll take a look at Sword Art Online now if you’ll excuse me I’m going to look for plushies of Mana, Rikka, Alice, Makoto and Regina.