Tag Archives: cartoon

August Bonus Review: The Rescuers

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The Rescuers was a Disney film from the late 70s. Although they started development in the early 60s but it was considered too politically charged which led to it being canned and then picked up again later. I’m not sure what’s so political about it. Maybe the idea of a woman doing what was traditionally “men’s work.” Maybe the scene where Miss Bianca explains the merits of income redistribution due to a massive income disparity being unsustainable for a healthy nation. (Okay, I made that one up) or maybe it’s because the original script was completely different.

Story:

We open with a young girl throwing a bottle into the water. We follow the bottle through a series of really nice watercolour looking stills until it lands and gets found by a bunch of mice. Fortunately for the young girl, these are the helpful, nice variety of mice who chew through ropes to free lions among other things. We cut to a meeting of the Rescue Aid Society, a group of mice that take it upon themselves to help those in trouble. And they’ve called this meeting of global mice solely to assign one or two to save the girl. This organisation may have had some problems with efficiency before they formed their mobile Rescue Ranger units.

The Hungarian mouse, Miss Bianca, asks for the assignment. The chairman hesitates, since this is apparently the first time a female mouse has actually been given a rescue assignment, in spite of their being several female mice in the group. She’s given the assignment but told to take a partner. Naturally, all the male mice volunteer because Hungarian ladies, and lady mice apparently, are smexy. She picks Bernard, the janitor. Probably because he’s the only one who isn’t in a position to claim all the credit. And the two set off to find the girl who needs help and come to her rescue.

Narratively, the film does basically everything right. The pacing is well crafted. It knows when to have calmer, slower moments and when to go into more intense sequences involving cars, swamp mobiles alligators and other perils. Even the song placement is very nice. The writers do a great job of conveying just how difficult it is for two little mice to try and be heroes. The climax is superb.

About the only thing I can criticise is that the Rescue Aid Society has a bunch of representatives from various countries and then one from the entire continent of Africa. Maybe Africa’s continental branch was busy with rescue work and they thought the meeting was just to touch base so they picked one agent to represent them. And then she found out that they’d called everyone for one rescue operation and she went back to report that the other continental branches had way to much time on their hands before returning to Wakanda.

Characters:

Miss Bianca is a great character. She clearly cares about helping others and doing her assignment, but she also gets as much joy out of things as she can. She’s taking the adventure seriously but also enjoying everything it has to offer. Which makes her a delight to watch. Bernard is kind of the opposite. He’s always worrying and scared but does what needs to be done any way. Which makes him a very courageous character but he’s also just a bit annoying. I also like Penny quite a bit. Her first response upon meeting the mice is just “did you bring the police?” which is very sensible. But then she wants to swipe Madame Medusa’s swamp mobile because she wants to drive it. And she taunts the cloying crony because he’s scared of the alligators. Which is great. The villains are pretty much your typical Disney antagonists. Nasty, trashy people who just want wealth even if it means sending a child into a hole to search for treasure. Although they do take it to another level by giving Medusa a shotgun to fire off indiscriminately. I actually love that scene, not gonna lie.

The side characters are a lot of fun. Whether it’s Zipper… I mean Evinrude or the muskrat couple. He gives people moonshine to perk them up and she goes to town with the rolling pin in the climax. Actually, the little swamp critters charging into action is one of the best parts in the film. Rufus & Orville are fun supporting characters too.

Art:

The film clearly didn’t have the most robust budget in the world. They take some short cuts in order to save on animation, including the stills at the opening and some slow scenes but it still looks quite nice and it is well animated.

Sound:

For the sake of this review, I watched the English version for the first time. I have to say, the acting is really good. Bob Newhart and Eva Gabor make for strong leads. Michelle Stacy makes for a strong Penny. Geraldine Page, Joe Flynn, Jim Jordan and the others are all good. In terms of music, the Rescue Aid Society anthem is a great, upbeat tune. Tomorrow is Another Day is an excellent song to aid in the atmosphere during a calmer moment & Someone’s waiting for You is a beautiful but also sad melody. I will say, I liked Wenche Myhre’s versions better than Shelby Flint’s but Flint’s are great too.

Final Thoughts:

The Rescuers may just be one of the five best Disney animated films of all time. And I’m not even joking. It’s a great adventure with a strong cast, strong characters, perfectly placed, well written songs a strong visual aesthetic and a lot of scenes that are memorable for all the right reasons. Its flaws, by comparison, are pretty minor. Ultimately, I give it a 9/10.

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June Bonus review- Avengers: United They Stand

About a year ago, I did a bonus review over Spider-man: Unlimited. It was not the wall crawler’s best moment, but at least it wasn’t One More Day or that comic where he gave birth to himself or Civil War. Why do terrible writers like to muck about with Spidey? Why can’t they just stick to writing Squirrel Girl & Bendis’ Mary Sue? In any case, I made the point that the late 90s were a bad time for Marvel cartoons in general and this was one of the ones I brought up that flopped hard. So, where exactly did they go wrong with Earth’s mightiest heroes? Let’s take a look, True Believers.

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Story: 

We open with the Avengers preparing to meet the President, who stands poised to recognise their great achievements, and probably take credit for them. Unfortunately for them, a  ne-er do well named Ultron is afoot and plotting the demises of both the President & Ant Man. In typical Marvel fashion, this results in a public outcry against the team with the President tweeting that “they’re possibly the biggest mess of a team. Gone downhill so much thanks to the last administration letting that immigrant mutant on the team. Sad.” Actually, it’s a totally different President and he blames Hawkeye because… Hawkeye had him duck and then shot arrows at the attacking robots and… he should have picked him up and run thereby leaving them both open to attack from behind? Seriously, you see none of the other Avengers around during this sequence. It’s not like they had Wonder Man paired with Hawkeye to draw the hostile fire or something. This is immediately stupid. And that’s our introduction to the team in action.

Moments of sheer stupidity like that aren’t even the biggest narrative problem in this series. They divide their main focus between Ultron & the Zodiac, thereby not giving them time to resolve anything with either big bad and ending on a cliff hanger because no one was watching this. They also love to introduce the idea of back story for them without actually showing anything substantial. Like Ultron being a creation of Pym’s who was destroyed, but they’ll never show what the deal with that is or the Zodiac having been foiled by the Avengers in scenes we’ll never see. And there’s a big focus on Wonder Man being kidnapped… after he’s been missing for, like, six episodes. Yeah, they pretty much bring it up in passing like it’s not that big of a deal and then they start acting like it’s the most important thing ever for no apparent reason. There’s also the bloody stupid love triangle. Frankly, all the romances in this are really bad. You just start out with characters in a relationship and they never give you any reason to care. Remember when the mid 90s X-men cartoon had Scott & Jean in a relationship at the start and then they had the Captive Hearts episode to give you, the viewer, cause to be invested in that? This one can’t be bothered. Let’s also bring up “holy fucking shit he’s a ‘perfect’ machine”  Ultron. We’re supposed to buy this dude as a credible threat for our team but he’s a freaking moron, even for a cartoon villain. Take one of his early plans. He sends his robots to draw out the Avengers, except Ant Man, so that he can mount a full assault against Pym because Ultron is actually very anti- domestic violence and he wants to see Pym stopped. But then the robots immediately shut down when the Avengers arrive instead of putting up any kind of fight that could  have, I don’t know, delayed them without rousing their suspicions. Why not just have them beat the bots aster than anticipated? You could still have them arrive in time and it would be a lot less stupid.

Characters:

This is a big issue with this cartoon. The cast they chose. Let’s pretend, just for a second, that Pym being a bride battering brute doesn’t matter because they don’t want any of the kids who watch this to ever read the comics. And I know that’s a stretch, but for the sake of argument, let’s pretend the comics don’t matter. He’s still a  terrible choice to lead the team. Why? Because there are a lot of options with better costumes, more interesting powers and who are just better liked. The show itself brings it up talking about Thor, Iron Man & Captain America but it argues that he helped found the Avengers and, therefore, he’s just as qualified. But this is a show for kids and you know kids are going to want to see the “cool” characters. No kid cares about freaking Ant Man. Wonder Man is a pretty bad choice too, since he’s basically just a Mary Sue in this. Hell, why not take out the Falcon too and bring in the Black Panther? Even before the films, the Panther was a better known character and his costume is definitely superior. And it doesn’t help that they do nothing with this cast to make them interesting. They’re just a bland group.

Art:

There are three big problems with the artwork. The first is the costumes. A lot of the films screw up the costumes by trying to tone them down and making them just boring. This series goes the opposite route & tries to make things more “extreme” by giving most of the Avengers special armour that they put on through transformation sequences and it just ends up looking terrible. Especially with Hawkeye, the Wasp & the Falcon who take the brunt of it. It’s just ostentatious is what it is. The second issue is the transformation sequences themselves. It feels like they’re trying to capture a sentai or magical girl vibe with them but without any finesse and with an end result that looks awful. The third is that the animation is frequently slow and choppy.

Sound: 

The acting isn’t the worst ever, but it’s pretty bad. You get some performances that are all right like Stavroula Logothetttis or Tony Daniels but the majority of them seem like the actors can’t be bothered to put in any effort. Not that I would either if I was handed this script. The theme tune is similar to the one from the COPS cartoon, in that it has a good beat but is weakened by the repetition of the title.

Final Thoughts:

There are, certainly, worse comic adaptations than this. There are also worse things that the Avengers have been in. This is still a bad cartoon. With a team that has some of the best characters in the Marvel universe as potential members, they chose their core cast poorly. Why would you ever have Hank Pym as the leader in a work for children? With the story, they couldn’t just focus on one villain arc and ended up making a right mess of things. They couldn’t even get a lot of the basics right. In the end, I have to give this the same score as Spider-man Unlimited. United They Stand earns a disappointing 3/10.

Oh, and let’s take a quick peek at our big hero we’re all supposed to love.

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April Bonus Review: C.O.P.S

Last month I said that I was going to look at a cartoon based off of one of Hasbro’s properties. Naturally, I had to pick their most famous toon, C.O.P.S. For the very few of you who haven’t heard of it, COPS was a late 80s cartoons based off of Hasbro’s toy figure line of COPS & Crooks. So, let’s delve into it and see how it holds up, before Michael Bay directs a shit film based off of it. 

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Story:

The show is set in the futuristic Empire city where the Big Boss and his gang of crooks are always up to some untoward activities. Fortunately, the city has COPS (the Central Organisation of Police Specialists) to fight against these nefarious schemes. Each episode basically deals to the Big Boss or one of his cronies coming up with some scheme to steal loot and the COPS having to foil them. 

The biggest issue with the series is just that it’s satisfied with being a generic children’s show. It never tries to do anything unique or interesting and it easily could have. And this was a premise that could easily have gone above and beyond.  Cops and Robbers with a sci-fi twist could make for an amazing kid’s show. All they needed were some ongoing story lines with character development. You know, like those 90s super hero cartoons that were coming out three years later. Instead, what we get is a bog-standard show where they foil the plot of the week and move on to the next one. I think the only time we even get a multi-part episode is the Case of COPS File One.

And you can tell the writers don’t care that much because there are pretty consistently things they don’t bother thinking through because they either can’t be asked or they want to just get the next episode out and they figure children won’t notice. So, you’ll have an episode where Bullseye has his helicopter stolen because he just leaves the cockpit open. Goofus leaves his expensive work helicopter out in the open while he buys doughnuts. Gallant locks it up and keeps the keys safely with him. In the aforementioned COPS File One there are characters who are called by their code names before they actually have Code Names. Because it’s hard to remember that Bulletproof’s real name is Baldwin Peabody Vess or that Mainframe’s is Tina Cassidy. There’s also one where they have invisible crooks and no one thinks to let the cyborg puppy loose to nibble on their bums. And I fucking know kids spotted that one because kids aren’t that stupid. They know dogs have great senses of smell. 

That being said, I can’t say anything about the show’s writing is truly bad. Yes, it would have worked a lot better if they’d taken more time to develop their scenarios and thought through them properly,  but  they’re kind of entertaining as they are. Honestly, if I was watching this as a kid I’d probably find it diverting enough. And it does have some awesome ideas like the cyborg pup or the crook with a sub-machine gun in his chest. Yes, this cartoon from the late 80s has actual guns. I wasn’t just talking shit when I said that 4kids is made up of overly sensitive cock munchers. 

Characters:

The big issue with the characters is just that they’re bland. the series could have really benefited from taking more time to give the characters real senses of personality and from having some crooks who could put on the façade of being respectable at times when they weren’t just trying to look good in front of their mothers. 

Art:

Honestly, this is not a good looking cartoon. There are things that definitely could have worked. The character designs, overall could’ve worked. The futuristic technology could have been great as well. Unfortunately, the animation itself seems to have had a very limited budget resulting in awkward movements and expressions. As well as stuff that’s just heavily recycled. Then we have the villainous bloke with dwarfism, Small Guy. He and his gang appear in two episodes and their designs change pretty noticeably from one to the other. It’s like they couldn’t even be bothered to go back and look at what they’d done before so they could keep it consistent. And the combination of crap animation and inconsistent art just doesn’t look good. That’s another thing this show needed, a budget that wasn’t being heavily embezzled for cocaine. 

Sound:

Honestly, the voice acting isn’t bad. It’s pretty “meh” but it’s far from the worst I’ve ever heard in a kid’s cartoon. It’s definitely better than Defenders of the Realm or Spectacular Spider-man. One issue with it is the budget. There are episodes where characters will appear and be featured quite prominently in scenes, but won’t say a bloody thing. Presumably because they didn’t want to pay for more voice actors. The music is pretty good, actually. The theme tune has a good beat and would’ve been pretty amazing without the lyrics, which consist of saying the word “Cops” periodically. In case you aren’t sure what you’re watching and need reminded twenty seconds before they show the logo. 

Final Thoughts:

COPS was a show that could have been amazing. I’d honestly like to see Hasbro get a studio that gives a shit with competent writers and revive it. Just to see the concept done justice. In fact, I’ll do it. I’ll even promise to not heavily imply that every single character isn’t straight. Which would be unusual for my writing. Still, the sixty five episodes are passable enough. If you’ve got a wee one at home, they’ll probably be entertained by it. My final rating is a 5/10. It’s mediocre. 

March Bonus Review: Pryde of the X-men

The X-men are, without any doubt, one of my favourite super hero teams. At least, they were back when Chris Claremont was doing his nearly two decade long run on the team. When he was still a couple years away from the end of his run, there was an attempt at making a television series based on the mutant team. It was 1989 and Marvel wanted to follow in Hasbro’s footsteps of making successful cartoons based off of their licenses to sell toys. So, why did Pryde of the X-men ultimately fail, thereby forcing us to wait for three years before the team would actually get their cartoon? Let’s take a look.

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Story:

We open with Magneto being transferred, presumably to some prison, by a military convoy. Fortunately for him, the White Queen comes to his rescue. Weren’t his ties to the Hellfire club something he had for pragmatic purposes while he was the headmaster over the New Mutants and a member of the X-men? I guess the cartoon universe is just different. Cut to young Kitty Pryde driving to the X-mansion clutching a letter. Turns out, Xavier found out about her powers and, instead of wasting his time visiting with her parents to get her enrolled in his school (like what he did in the comics) he just decided to send her an ominous letter about how he knows her secret. The X-men run off to answer an alarm while Magneto leads the Juggernaut, who doesn’t even like mutants save for Black Tom, on an attack to steal a Cerebro circuit while Xavier is home with just the young Kitty Pryde. Now, it’s up to the X-men to foil his machinations and save the world.

The first issue with this as a pilot is just that they introduce far too many characters at once. Not only do we have the X-men, with Xavier, Kitty, Nightcrawler, Colossus, Storm, Cyclops, Dazzler and Wolverine but we also have a huge number of villains with Magneto, the White Queen, Juggernaut, the Blob, Pyro, Toad and little Lockheed hanging around their base for some reason. The next issue is with the action. We don’t actually see our heroes fight as a team or accomplish that much. Rather, the villains come at them one at a time and the X-men have one member bugger off to face the villain who shows up one on one. Save Storm who gets left behind to mind the atmosphere. And that doesn’t make for particularly compelling action. Seriously, compare it to the two part Night of the Sentinels from the good cartoon where we see the X-men fight as a team. We see every member contribute and we see robots getting torn to pieces in the final action sequence, which is about the same length as the big action scene here. Trying to connect all your major villains also really doesn’t work when you’re using a team like the X-men.

About the only bit of praise I can give this one is that the very basic premise could have worked. Having a seasoned team with a young mutant being added in who has to prove herself and learn to cope with her own abilities could have been used in a much better cartoon. You know, like the early 90s one where a team of seasoned mutants is joined by you Jubilee who has to learn to cope with her own abilities and prove herself. In all fairness, though, it could have also worked with the X-men team they used in this.

Characters:

So, fifteen characters was clearly too ambitious for a pilot introducing the whole premise and the natural consequence is that the cast is really under-developed. There are some more specific issues, though. The first is that Colossus awkwardly refers to himself in the third person. Then there’s Nightcrawler. Poor Nightcrawler. Every time he appears in a cartoon they seem to really screw him up. Even the good cartoon. In this one, he comes across as kind of pervy and as someone you really don’t want near children. Remember when his appearance made Kitty uncomfortable in the comics so he was nice to her but generally kept a respectful distance until she was able to get comfortable with him? In this he gets kind of aggressive about forcing the issue and Neil Ross’s unintentionally creepy voice acting just makes it so much worse.

Speaking of characters who seem to be written perpetually badly in adaptations, let’s talk about Shadowcat. In the comics, she’s a young genius who comes across as a very bright youngster but is still believable as a youngster. This suffers the same problem as certain other adaptations where they decide to make her far less intelligent and more of a generic good girl. Magneto also suffers from losing his complexity and being made a more generic villain, like he was in the silver age. I guess Larry Parr just didn’t want complex Jewish characters. Or he just isn’t good with complexity period. That’s also a distinct possibility.

Art:

This is one area where I can, as a whole, give the cartoon credit. Toei did a lot of the animation work on this and it does look pretty good. I also do like the costumes it uses. Even if they did forget Magneto’s gloves and just left his hands bare and they made Wolverine too tall.

Sound:

Any good will I might have from that is quickly cancelled by the sound. The acting in this is horrendously bad. Patrick Pinney gives Wolverine an Australian accent which is just stupid. He’s Canadian. What’s next, an X-men adaptation that has him voiced by an Australian doing a really poor fake American accent? No, I’m sure no production studio could possibly be that idiotic. The accents in this are just awful in general. Neil Ross’s Deutsch accent is bad. Dan Gilvezan’s Russian accent is terrible. The voice acting just comes across as low effort, no skill and they did get some people who can voice act. They got Frank Welker, for instance. The music is okay. Not anything good but decent enough.

Final Thoughts:

Ultimately, it’s not surprising that Pryde of the X-men failed to transition into a full series. It’s not the worst X-men adaptation I’ve ever seen but it is pretty bad. The writing’s a mess, the characters are completely uninteresting and some of them are handled in off-putting ways, the acting is atrocious and it just fails to do the team any justice. Which is a pity because, like I said, this team composition could have worked if they’d put some effort in. My final rating is going to be a 3/10. Still better than what Madhouse did with the group. I guess Marvel tried too hard to copy Hasbro without understanding why they were a success. In fact, next month I’ll look at one of Hasbro’s toy-based cartoons and let’s see why it worked for them.

January Bonus Review: Mortal Kombat- Defenders of the Realm

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So, I’ve been critical of a bunch of anime based off of video games this month. As such, it seems fair to talk about something American as well. The eternally miss-spelled Mortal Kombat franchise has had a lot of adaptations. Films, card games, & several television series. This was the first television adaptation.

Now, you might think it’s a patently bad idea to make a children’s cartoon out of a series that’s notorious for its extreme violence and was instrumental in making rating systems happen. Of course, you only think that because you’re objectively smarter than anyone who was instrumental in making this project a reality. So, give yourself a quick golf clap on that one.

Story:

The basic story behind this is that our world is being invaded and the “heroes” of Mortal Kombat, Sonya Blade, Liu Kang, Jax, Subzero, Kitana, Nightwolf & that former cop no one likes band together under Raiden’s guidance to seal the portals that open up into our world and repel the invaders by ripping out their spinal columns or just by punching them a lot. That’s the experience people think of when they think of Mortal Kombat.

So, beyond the premise and this being a very poor fit for a children’s cartoon, what’s wrong with the writing in this series? well, the first thing is the pacing. This cartoon basically has long, boring conversations of exposition while quickly glossing over things like “should we trust this guy who seems suspicious?”  Seriously, any time something comes up that could lead to anything remotely interesting the writers quickly lose interest and jump to a shit action sequence. Then we have the series’ efforts to be “cool.” They’re just really cringe-worthy. They try to make “combat time” sorry, I mean “kombat time” into a major catch phrase for fuck’s sake. And if you thought wearing the other peoples’ outfits and just relying on them having no security was a stupid strategy, this cartoon gives us such gems as “run directly at the killer robots and punch them.” And let us not forget the “nice, wholesome” lessons that Mortal Kombat has to teach us. Like how much leverage and force you need to tear someone’s jaw off of their skull or there’s the lazy, tepid stuff you can get from this cartoon. Like that teamwork is good or that being evil and stubborn can make you immortal. Thanks, Defenders, that’s a great lesson for the little kiddies.

Characters:

Take the most generic heroes and villains you can think of, cover them in faecal matter and leave them to rot for a couple decades and you’ve got a  reasonable facsimile of the characterisation in this cartoon. It doesn’t even have the decency to be basically consistent. You get Raiden flip-flopping over whether or not he’ll actually fight or  Nightwolf deciding that he needs to rely on his instincts more and his machines less only to go back to the way things were and never mention it again.

Art:

I don’t know if there’s time to actually cover everything wrong with the artwork without writing a fecking novella. I’ll try to cover the big issues. First off, the facial expressions in this barely change. Everyone has their default look that just stays largely stagnant and it results in a lot of situations where their expressions don’t match what’s happening. Secondly, the action sequences are shit. They’re very slow and deliberate. So, you get scenes where someone will take a hit and very slowly fall back like they’re the world’s worst wrestler and they almost forgot they were supposed to get knocked over. The backgrounds are really lazy too.

Then we have the character designs. Most of the characters in this have their navels exposed, but none of them have navels. Did the studio think showing a belly button would be considered lewd? For that matter, a bunch of the guys have their chests showing but none of them have nipples. It’s like looking at really badly made dolls. Then we have Kitana’s boob situation. Instead of just using her MK II design, they decided to give her a toned down version of the MK III boob window. But, they decided to do it without showing any actual breasts through it. Are Kitana’s boobs supposed to be triangular and pointing off to each side?

Sound: 

In all fairness, they did get some people who can act. I mean, Cree Summer is in this. Voice of Penny Gadget, Elmyra Duff, Hyena  & She Hulk, to name just a few. Unfortunately, the director seems to have given them all explicit instructions to not show emotions or act. So, it sounds really terrible. Even the music is bad, and the film this is supposed to be a follow up to had some stellar music. So, you’d think that would be the one thing they could manage to get right.

Final Thoughts:

Defenders of the Realm is outright terrible. It’s a cartoon that took an idea that was already bad and did everything wrong when executing it. It’s a surprise it managed to even last thirteen episodes. My final rating is going to be a 1/10. If you’re going to watch it, get some snarky friends together and get your enjoyment out of incessantly mocking it.

December Bonus Review #4: Frosty the Snowman

Frosty is a short Rankin/Bass production from the tail end of the 60s. It was written by Romeo Muller, a man who was best known for churning out holiday specials like origami cranes. So, does it hold up decently enough? Let’s have a look.

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Story:

A bunch of kids get out of school after being treated to the world’s worst magician. That might be unfair. He may be a better magician than those blokes who try to convince you that vaccines are dangerous. Their routine doesn’t even make sense. They just spew bollocks and act like they’re trying to be serious. In any case, the magician, Professor Hinkle, discards his hat because he can’t do tricks with it properly. The children decide to put it on their snowman, which they’ve named Frosty, and it brings him to life. We then follow Frosty’s quest to get to the North Pole before he melts & Hinkle’s quest to get his hat back because now he knows it has some real magic.

The first issue with this little special is that the characters might be too dumb. So, these kids decide they need to get Frosty a train ticket to the North Pole and then when they’re told how expensive it’ll be they just say “we don’t have any money.” I’m sorry, but kids know what money is. They might not know the value of it but they know what it is and they know you have to pay for things. It would be one thing if they didn’t have enough because they under-estimated the price. That would be fine. But they went to a counter to buy a ticket without having any money. One of the children even decides to join Frosty on his trip to the North Pole because it’ll be fine as long as she’s home for supper. Okay, these kids obviously have some understanding that this is a long trip or they’d just walk. Why would she think it was a good idea to ride with him in a freezer car if she needs to be back in a couple hours or so?

Speaking of odd things, she’s the only one he asks to go with him. With an entire group of children following him around town and such, he picks out one to include on his adventure. It’s a good thing the children are such non-characters or that might hurt their feelings.

I will give the little piece some credit. For the short time it has, it manages to  show the stuff it really needs to. We see Frosty and the kids play. We get a sense of danger, but not too much because that might scare the wee ones. And then we get our obvious happy ending.

Characters:

So, the children are one-note non-characters. Our villain is a generic “evil for the evils” type. That leaves us with our titular Snowman. The issue with Frosty is that his writing is kind of uneven. There are some things that he hears and just understands while there are others he needs an explanation for. Because “traffic light” is just so complex while the idea of “trains” is just self-explanatory. Either have the magic snowman be imbued with knowledge by virtue of being magical or have him as a naive innocent who doesn’t understand the world. Don’t try and do both.

Art:

I’m probably going to make some people upset with this one but Rankin/Bass productions don’t have good art. They’re very lazily drawn and have very slow movements. I don’t want to be too critical since this is rather old but there were a lot of better animated works out at the time. Various Looney Tunes programs, any of Disney’s longer films from the time like The Jungle Book or The Sword in the Stone. For that matter, Wacky Races was from the same period and looks much better.

Sound:

The acting in this is kind of stilted. I’m sure Jackie Vernon was a fine comedian, but his delivery is very artificial. June Foray doesn’t have that problem as much, probably because she’d been voice acting for over two decades at that point. But she still doesn’t sound good. Jimmy Durante’s narration is definitely the best part in terms of audio. Then we have the music. A lot of the special has various characters singing the song that this short was based off of. Singing it once would be fine in a half hour, but it gets done so bloody many times that you will want to bludgeon a toddler to death.

Final Thoughts:

I don’t want to be too critical of this little special since it was obviously made for small children and it’s also really old and, therefore, suffers from a lot of the clichés of the time. Besides, it’s pretty harmless and I can’t fairly call it bad. That being said, I certainly can’t call it good. It’s a really vapid, uninspired, and rather cynical attempt to cash in on the holiday season. Ultimately, Frosty is a snowman with some yellow snow at his core. It’s a special that hasn’t aged well. I have to give it a 4/10. So, have some happy holidays, Everyone. Be good to each other and to your dogs. Especially to your dogs.

December Bonus Review #3 Tiny Toons: Night Ghoulery

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I know what you’re all thinking. “Ktulu, you madman, isn’t this the complete wrong time of the year to review a Halloween special? Shouldn’t you be doing something winter holiday related instead?” Well, I felt like having a look at this one and maybe I’ll do one of those later. I wouldn’t want to be too predictable in what I review. 

Night Ghoulery was a slightly over forty five minute special back in ’95. The idea was basically to spoof a bunch of spoopy ideas and have a bit of a macabre even with the Tiny Toons cast. 

Story:

The special is organised into a bunch of different shorts. We’ve got a Tell Tale Heart parody with Plucky and Hampton. A Frankenstein parody with Elmyra & Dizzy. The between sequences poke fun at the Twilight Zone, as does one of the actual shorts. Buster & Plucky take on an old Abbot and Costello film. My favourite is probably the Night of the Living Dead parody with the Wacky land gang. It’s really bloody funny. 

The biggest downside to this whole thing may very well be that they try to do too much. There are little sketches here that really would have benefited from having some more time while there are some weaker ones like The Devil and Daniel Webfoot or Fuel that could have been cut out without losing much. Now, I’m not saying those particular bits are bad. They’re decent enough. I’m just saying there are much stronger premises for shorts in the special that could’ve benefited from a bit more time that the shorts that are merely all right could’ve been sacrificed for and it would’ve benefited the whole thing. I  would suggest that it might be because they wanted to include as many characters as possible, but Plucky is featured in a good four of the shorts while other characters only appear in the intro and outro. So, I don’t think they really factored in trying to include everyone. 

That being said, the parodies they have work pretty well. The worst you get are ones that are decent. The best you get are really funny. The writers of this were really good at making things a bit macabre without making them frightening or veering into territory that might be considered questionably child friendly. They do also make their parodies, even ones of older material that most children won’t have seen, enjoyable & zany even to those who aren’t familiar with the source material. So, good on them. 

Characters:

If you’ve seen Tiny Toons, you know what to expect from the cast. If you haven’t, the cast is a bunch of zany animal characters in the same vein as Looney Tunes. The character used the most for the special is Plucky Duck. Probably because he tends to get used for a lot of comedic pratfalls and suffering. Which makes him valuable for slightly macabre horror parodies.

One thing I will give both this special and Tiny Toons in general, they’re very good at taking these kind of simple, zany characters and putting them in situations where they can really work off of each other well. 

Art:

The artwork for the special isn’t quite as colourful as the series proper usually is. It uses a lot of darker shades in a lot of the shorts in keeping with the horror aesthetic. There are some good sight gags throughout. The animation team manages to pretty successfully meld the visual aesthetic of the old horror works with the brighter, more fun aesthetic of Tiny Toons. It looks pretty nice. 

Sound:

All the familiar voices are present. The ones you’ll hear the most of are Joe Alaskey & Tress MacNeille as Plucky & Babs respectively. Joe pretty much puts a different spin on the Plucky voice for every short he’s in. Including a very nice Shatner impression. Which leads to a bit where Hampton asks Plucky if he’s ever going to talk normally in the special. Just like in the show proper, Tress is pretty spot on with her Babs’ vocal parodies. The music is nicely done. They retooled the theme tune from the main series in a way that makes it different while also similar to the ordinary one. 

Final Thoughts:

Night Ghoulery is a pretty enjoyable little special. The parodies work well whether you’re familiar with the original works or not. There are plenty of funny moments. The voice acting is quite good. If you’re someone who enjoyed the Tiny Toons cartoon, you’ll definitely like this. For myself, I’ll give it a solid 7/10.